Masterclasses for Autumn 2024

I’ve now posted details for my writing masterclasses for Autumn 2024 – see links below:

16 September, 6pm-7.30pm London, Zoom
Perspective & Style
Techniques to power your storytelling
Elevate your writing with this masterclass investigating the craft of perspective. We’ll discover how persona, point of view, tense and narrative distance can make your storytelling brighter and bolder, and sample a range of literary styles to help you develop a distinctive voice.

14 October, 6pm-7.30pm London, Zoom
Showing & Telling
Weaving scene and narration into stories
Find the balance of dramatic scene and narrative summary that’s required for any story. We’ll grasp the fundamentals of creating memorable scenes through action, dialogue, description and subtext, and understand the pitfalls that are best avoided. Using examples, we’ll also analyse ways to forge a strong voice for narrating your stories and captivating your readers from start to finish.

11 November, 6pm-7.30pm London, Zoom
Genres & Readers
What’s your genre and who are your readers?
Explore the conventions of writing genres for the ways they help in shaping and pitching our stories.  We’ll probe the intersection of taste and technique in various categories of writing, from page-turning commercial genres and upmarket fiction to literary works and experimental prose. We’ll also navigate feedback, survey the querying process with agents and editors, and discuss writers’ relationships with publishers and the book trade.

9 December 2024, 6pm-7.30pm London, Zoom
Endings
Resolutions, revising, and knowing when to stop
Identify ways to give a story a memorable conclusion. We’ll review the strengths of open, closed and ambiguous endings, and inspect plot twists, grand finales and other means of creating emotional impact for the resolutions of our stories. We’ll also survey some practical strategies in revising and drafting, and discuss how to know when your story is truly done.

The masterclasses carry on from those held earlier this year – Beginnings, Voice, Character, Setting & Situation, Story & Plot, and Form & Structure – but they are designed to be stand-alone, so that writers can drop in for a refresher on specific topics. You’ll also be sent reading suggestions and writing exercises to try in advance, and after the class you’ll receive a workbook packed with craft notes, recommended resources, and writing experiments to try at your own pace. You can click the links above to book your space.

I’m planning to repeat these classes next year, along with new offerings. There are a number of regulars from all over the world, both experienced and beginning writers, and the spirit of the classes is convivial, good-humoured and energetic.

I’m no longer blogging so actively here, but you can find me on Instagram and I am starting to use Substack – among other things, I’m going to start sharing some of my short stories there, and in due course I’ll post about the craft of writing and publishing too. You can also sign up for my mailing list here.

Have a good summer! (Or winter if you’re dialling in from the southern hemisphere.) After a wet spring the garden is finally blooming and livening up.

Autumn 2023 Workshops

Some information on a couple of workshops I’m leading in September and October:

17 September 2023
Magicians and Fools: Tarot for Writers
Hastings Book Festival

14 October 2023
The Four Elements of Revising:
Become Your Own Best Editor

With Words Away at the Phoenix Garden, London WC2

I’ve not taught a revising workshop in some time, and I’m excited to be doing so again, bringing plenty of new insights and ideas. The world has changed in many ways – and so have we! I’m hoping to fire people up about their writing: owning their visions, expressing them clearly through the craft, finding ways to bring them to readers. It’s what I’ve been doing successfully one on one during covid and beyond, and I’m looking forward to bringing this into a classroom with Words Away again. And what a classroom! The Phoenix Garden is the best.

Yes – there are lots of workshops and courses out there! But the Four Elements practice is a sincerely different approach to writing and getting published. You can read more about it in this interview, and you can also read some endorsements of my style.

Also: I promise not to tell you to proofread your submission letters. In fact, I will have things to say about this, as well as other practical matters in the lottery that is publishing. But mostly we’ll focus on the writing – your writing, your stories. Writers of fiction or nonfiction are welcome, as are writers in poetry, screenplay or other forms. It will be of use to writers with complete manuscripts, as well as writers who’ve reached a stage where work-in-progress needs a boost – though given my emphasis on drafting it ought to be helpful to writers at any stage of the development of a piece of writing.

And the tarot workshop is with the lovely people at the Hastings Book Festival, where I ran a workshop last year. They have some great events for writers and readers – check them out if you are in the area. Such gorgeous sun on the sea last year: such light along the coast there. This is a new workshop, but it draws on years of practice, and I’m glad to have the chance to talk about one of my favourite subjects as it relates to writing.

Also:

* Among the current rescrambling on social media, I’m finding much of the most engaging content on Substack: thoughtful, intelligent, well written. I have a slight concern about word overload, but we can be selective. Its potential for interaction is promising. Not much action from me other than Restacks at the mo – but I might reboot my blogging and/or online teaching there. More to come. Find me here: Andrew Wille Substack. Do connect if you are there too.

* I’m also on Threads now. It’s not on browsers right now, I guess, so maybe you can find me via Instagram if you are on your phone app? TwitterX seems pretty inert, and I’m not sure I’ll be keeping that much longer.

* I also have spots for mentoring. Mentors have priority for developmental edits and manuscript reviews. If you’re interested, contact me with details of projects and your intentions in writing and publishing – if it seems a good fit, I can send more information.

I’m taking a break from manuscripts and editing for the rest of August, so I might not be at my desk to answer emails right away. The plaster cast is off! And I’m just about caught up. So now is the time for a bit of rest and physio. I need a break. Just not another fracture!

Summer reading recommendation: Yellowface by Rebecca F. Huang. I’m hoping to reread/read Kent Haruf this month. Support your local libraries and independent bookshops!

The tree above is the black walnut at Marble Hill. Just because! It’s been growing there for 300 years.