Jack Collom, poet, teacher, friend and lover of nature, died last month. His memorial is held at Naropa today, and I’m sorry not to be there in person. I am sure many will be in attendance, and also there in spirit. Jack was a much loved and profoundly good teacher, one of the best I ever had, and his influence is felt far and wide and with great affection.
My first experience of teaching in fact came when I took Jack’s Project Outreach class at Naropa in the fall of 2002. I volunteered one morning a week in a Language Arts class at Fairview High School (which was every bit the archetype of the American school that I hoped it would be). Then every Friday at 4p.m. our Outreach class would reconvene in one of the Upaya classrooms and compare notes from the week, listen to Jack’s guidance, and do some writing exercises of our own. And with Jack, there were always tons of writing exercises: acrostics, sestinas, recipe poems, odes, Q&A poems, I Remembers, pass-arounds – lots of pass-arounds.
One form I was introduced to was the haiku-like lune. The variant the Collom lune is even named for Jack. Counting words rather than syllables suits makes this poetic form more robust and suitable than the haiku itself for the English language, I reckon. Like many good things, it was an accidental (but naturally arising) invention; Jack had no embarrassment in describing how he had misremembered the form as a verse of 3-5-3 words rather than syllables.
Over two weekends I also took the weekend practicum Designing A Writing Workshop that Jack co-taught with Lee Christopher. It offered tons of practical advice as well as some of the most fun I ever had in a classroom. We did lots more writing exercises too. The lack of self-consciousness that Jack fostered among writers was shown in his classes when, in response to the prompt ‘How I Write’, I penned a day-in-the-life poem about my tendency towards procrastination, which included rather Too Much Information about certain activities other than writing. And it must have been a classroom wholly lacking in self-consciousness that Jack fostered, because I then read this TMI piece out loud. And then, once I’d read it, I blushed, and laughed a lot with everyone else. I laugh again as I remember this, and think that doing what comes naturally and what feels like fun is so often (always?) a requisite of the best writing.
It is ironic that we often need to learn how to do what comes naturally, though. Fostering an instinctive approach to writing (and learning in general) was at the heart of Jack’s teachings. He worked a great deal in the school system, especially with the Poets in the Schools programme, and he often shared his particular joy at writing poetry with elementary schoolchildren.
Poetry Everywhere, the book on teaching poetry Jack co-wrote with Sheryl Noethe, is one of the richest resources a teacher might have. Among the hundreds of poems it uses as examples, poems by William Carlos Williams and Pablo Neruda sit beside poems by first grader Lacy Wiley and twelfth grader Ann Jankowski and many of the thousands of other students whose work Jack published in class anthologies at the end of every semester.
Such an honouring of children’s voices is not only an exercise in democracy in the classroom, but a reminder that writers often need to rediscover things we have lost: our true natures. In On Sound and Rhthym, an essay that shines brilliantly not only on the teaching of poetry but on the whole idea of learning, Jack describes how children:
have the potential for art right on the tips of their tongues. It is important that we recognize this “little genius” for poetry that children have—and not try to “muscle” them into adult standards of poetic discourse. Yes, they should develop mature language skills—but gradually, organically, while as much as possible maintaining (and developing and transforming) their own fresh poetic talents.
Good writing comes naturally. Second Nature is the title of the book of poems and essays of Jack’s that won the Colorado Book Award in 2013.
Jack taught us that an important way to develop this instinct for writing was in having fun. He sometimes taught summer workshops on comedy and writing. And his good-humoured and graceful presence in any classroom was the ultimate lesson in how to be a teacher: funny, inquiring, big-hearted, listening, patient, unafraid to challenge, praising occasionally, sharing always. And Jack always (always) joined in the writing exercises himself, scribing away at a yellow notepad with a ballpoint pen. Theories of education seem dry when set against such an example.
Keeping with that theme of nature, Jack also taught Eco-Lit, a pioneering Naropa course that was one of the first (if not the first) to focus at college level on writing about the environment and nature in such a way. The reading list amounts to an artfully curated anthology of poetry, science writing, oral history, essays, creative prose, and other forms, ranging from Stephen Jay Gould to Rachel Carson to Elizabeth Bishop to Herman Melville to Aztec poetry. I hope someone is carrying on that lineage at the Kerouac School.
Another memory: during readings of his work, Jack would indicate quoted matter by drawing bunny ears in the air with his index and middle fingers.
I don’t think Jack was a Buddhist, and (other than birdwatching?) I am not sure if he had an obvious contemplative practice. Yet he was one of the few I encountered at this Buddhist-inspired school who genuinely seemed able to put his ego to one side to get down to the work in hand. He was serious about the Big Issues in writing, but he never took himself too seriously.
Beyond his work as a union organiser, Jack did not strike me as overtly political either. Unlike many activist writers, Jack was never patronising or carping in his writing. But his poems often possess careful acts of observation, and when you are observing the truths of nature and everyday life there is little that is more political.
And how many other poets have had their hometown honour them with a specially named day, as Boulder did with Jack Collom Day in 2001?
Poet, birder, veteran, yodeller, environmentalist, father, husband, teacher: Jack Collom was a force of nature. No, is a force of nature. Because the best teachers never die. We ‘watch them grow from was to will be and will be to was’: like the Old Woods of Jack’s poem, their teachings will last.
Poetry Everywhere by Jack Collom and Sheryl Noethe
How I Teach Poetry in the Schools by Jack Collom on poets.org
An Ecosystem of Writing Ideas by Jack Collom (every writing teacher should read this)
On Sound and Rhthym by Jack Collom
From Nature to Nurture: Ecology and Pegagogy Inform Two Long-Running Writing & Poetics Courses from Naropa University
Jack Collom (1931-2017) from the Allen Ginsberg Project (includes video links)
Jack Collom, Boulder Poet and Educator, remembered in the Daily Camera
I Wouldn’t Be Here If It Weren’t For Jack Collom by Jonathan Montgomery
Interview with Jack Collom by Elizabeth Robinson
And my favourite poem of Jack’s (one of my favourite poems): The Old Woods